Instead, iv could be followed by the letter b to indicate that it is F minor chord in 1st inversion - C aeolian mode chord ivb. …can be derived by picking out its first, third, fifth, (and seventh tones). Now that we’ve reviewed the modes, let’s proceed into studying the chord types for every mood. Root note - C. Guitar Tuning: Standard - E-A-D-G-B-E. More details of this interval are at Bb-perf-5th. Repeating this for the 5th note / scale degree, the distance between Eb and Bb is 7 half-tones, and the note interval name is perfect (P5). …and that’s the G major triad: It is in upper case to denote that the chord is a major chord. …are D, F, and A: FULL-th pattern. …are A, C, and E: Finally, we have the name of the two note intervals of this triad, and can now lookup the name of the triad chord quality having these intervals. Instead, VII could be followed by the letter b to indicate that it is Bb major chord in 1st inversion - C aeolian mode chord VIIb. From F to F: …prod… The A Aeolian consists of seven notes. More details of this interval are at G-perf-5th. The C aeolian chord III is the Eb major chord, and contains the notes Eb, G, and Bb. The chords of the G mixolydian mode: To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes Eb, G, and Bb. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols v: So in this key, v6 refers to the G minor chord in 1st inversion, and v64 refers to the G minor chord in 2nd inversion. Just like a minor chord, the diminished chord is constructed using a minor third interval, so the roman numeral is shown in lower case. Now look at the complete Note interval table, and identify the note interval that has a distance of 3 half-tones (first column), and with an interval no. The chord symbol iv could be followed by the letter a to indicate that it is F minor chord in root position (ie not inverted) - C aeolian mode chord iva. The roman numeral for number 7 is 'VII' and is used to indicate this is the 7th triad chord in the mode. The 1st note of the C aeolian mode is C: 2: C-maj-2nd: The 2nd note of the C aeolian mode is D: 3: C-min-3rd: The 3rd note of the C aeolian mode is Eb: 4: C-perf-4th: The 4th note of the C aeolian mode is F: 5: C-perf-5th: The 5th note of the C aeolian mode is G: 6: C-min-6th: The 6th note of the C aeolian mode is Ab: 7: C-min-7th: The 7th note of the C aeolian mode is Bb: 8: C-perf-8th It is in lower case to denote that the chord is a minor chord. The chord symbol VII could be followed by the letter a to indicate that it is Bb major chord in root position (ie not inverted) - C aeolian mode chord VIIa. The diminished symbol 'o' is placed after the roman numerals to indicate this is a diminished chord. The chords of the F lydian mode: Finally, letter c could be used to indicate that it is G minor chord in 2nd inversion - C aeolian mode chord vc. I suppose that you’re already familiar with modes, yet, I’ll recommend that we review it shortly before we proceed. From C to C (its octave): The first, third, and fifth tones of the A aeolian mode: The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. The C aeolian chord iio is the D diminished chord, and contains the notes D, F, and Ab. Instead, v could be followed by the letter b to indicate that it is G minor chord in 1st inversion - C aeolian mode chord vb. To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes G, Bb, and D. For the 3rd Interval (note 2 on the diagram) the distance between G and Bb is 3 half-tones. More details of this interval are at G-min-3rd. To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes C, Eb, and G. To identify the triad chord quality that has these notes, begin by counting the number of half-tones / semitones between the root and each of the notes. The next step will need to calculate the triad chord whose root / starting note is next mode note. Due to the fact that there are seven unique white notes on the piano (all the rest being duplicates), there are seven modes. This mediant chord's root / starting note is the 3rd note (or scale degree) of the C aeolian mode. To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes Bb, D, and F. For the 3rd Interval (note 2 on the diagram) the distance between Bb and D is 4 half-tones. …to the A minor triad: Repeating this for the 5th note / scale degree, the distance between G and D is 7 half-tones, and the note interval name is perfect (P5). From A to A: The chord symbol VI could be followed by the letter a to indicate that it is Ab major chord in root position (ie not inverted) - C aeolian mode chord VIa. …can be derived by picking out its first, third, fifth, (and seventh tones). It is in upper case to denote that the chord is a major chord. The note interval name for the 3rd note / scale degree is therefore major, also called M3 for short. A Aeolian: Am; Bdim; C; Dm; Em; F; G; C Major: C; Dm; Em; F; G; Am; Bdim In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols i: So in this key, i6 refers to the C minor chord in 1st inversion, and i64 refers to the C minor chord in 2nd inversion. This pattern is repeated for all 7 notes in the mode, resulting in 7 triad chords. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. In addition to the triad we just derived, we can add the seventh tone (which is E): Cmaj (VI): C-4, E-4, G-4. Any progression of these chords with Am as its root can be described as an Aeolian piece of music. And so the complete triad chord name prefixes the root note, F, onto this quality, giving us the F minor chord. 1 2 b3 4 5 b6 b7. Other Triads: Csus4 Csus2 D#sus4 D#sus2 Fsus4 Fsus2 Gsus4 G#sus2 A#sus4 A#sus2. 1,2,b3,4,5,b6,b7. The table below shows the C aeolian mode, ordered to show the 6th note as the first column in the table. From C to C: …produces the ionianmode. The chords of the E phrygian mode: The chart, above, shows each of the modes of C (ie, where C is the tonic note of the mode). Starting from the 1st mode note, each lesson step below will take each note in turn and construct a triad chord using that note as the root / starting note of that chord. These can be described as steps on the guitar fingerboard according to the following formula: whole, half, whole, whole, half, whole, whole from the first note to the same in the next octave. The chord symbol III could be followed by the letter a to indicate that it is Eb major chord in root position (ie not inverted) - C aeolian mode chord IIIa. Scales. The chord symbol i could be followed by the letter a to indicate that it is C minor chord in root position (ie not inverted) - C aeolian mode chord ia.